Mukhyamantri Chandru appears as the judge in the case, and is forced to perform some 'comedy' with his wife calling him on the mobile phone as he's listening to the arguments in the gangrape case. Serious scenes are interrupted by jolly songs and dances, and even the courtroom does not escape this distracting treatment. The two of them are pivotal to the plot, but all that the disjointed screenplay gives us is a cliched happy family portrayal that would fit a 30 second ad for a washing machine. Ludicrous twists are justified with even sillier explanations that are far from convincing.Īchyuth Kumar plays Nandini's senior while Siri Prahalad plays his daughter who has a speech disability. The director treats them like puppets to force intrigue into the script. The rest of the cast, too, suffers from poor writing. Ragini is earnest as a young woman fighting the system for justice, but there's barely any thought given to her character.
I suppose these scenes were included to stress upon how rape survivors are treated by law enforcement but the writing is so caricature-ish that the seriousness of the situation completely escapes us. The officer in charge (Mandya Ramesh) treats the case as a joke and subjects her to insensitive comments. The film opens with Nandini flagging down a car to take her to the police station. Ragini Prajwal plays Nandini, a law graduate who files a police complaint of gangrape against three well-connected men. Like Ponmagal Vandhal, the first south film to have a direct release on Amazon Prime Video, Law too has a rape survivor arguing her own case in court.
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